Writing Instructor's Memoir Hits New York Times Best-sellers List
By Lori Wright, Media Relations
May 9, 2007
When UNH writing instructor Meredith Hall pictured the audience for her
memoir, “Without a Map,” she imagined talking to a confidant,
perhaps a close neighbor who would be the first person ever to hear the
raw details of her life. Today, her memoir published April 11 by Beacon
Press is in its third printing and climbing the New York Times Best-Sellers
Hall’s memoir – her first book – is ranked 34th on the
hardcover nonfiction list, which includes Thomas Friedman’s “The
World is Flat” and Barack Obama’s “The Audacity of Hope.”
“I had no idea that it would receive the public accolades. The book
has convinced me that telling our stories to others is vital,” Hall
says. “By nature, we are storytellers. I loved telling these stories.
They were secrets.”
Hall's moving but unsentimental memoir begins in 1965, when she becomes
pregnant at 16. Shunned by her insular community of Hampton, she is then
kicked out of the house by her mother. Her father and stepmother, who live
in Epping, reluctantly take her in, hiding her before they finally banish
After giving her baby up for adoption, Hall wanders recklessly through
the Middle East, where she survives by selling her possessions and finally
her blood. She returns to New England and stitches together a life that
encircles her silenced and invisible grief. When he is 21, her lost son
finds her. Hall learns that he grew up in poverty with an abusive father — in
her own father's hometown. Their reunion is tender, turbulent, and ultimately
redemptive. Hall's parents never ask for her forgiveness, yet as they age,
she offers them her love.
Hall wrote “Without a Map” after winning the $50,000 Gift
of Freedom Award from A Room of Her Own Foundation, which gave her the
financial freedom to devote time to her memoir. In an apartment in San
Francisco, she says she discovered the drug-like joy of writing.
“We each carry a reservoir of images. We circle them and circle
them and circle them throughout our lives to make sense of them. If we
turn our gaze to those moments, they emerge as the story of our lives,” she
says. “I never felt like I was constructing or structuring. The words
just fell on the page. For me, it was a matter of just showing up. The
stories were very ready to be told.”
Hall asks her creative writing students to make lists of their life stories
but cautions them that they are not keeping a personal journal.
“We are writing for a reader and there are clear and powerful obligations.
We must be in control of the structure. This must be a process of discovery,
and we must have matured into the ability to articulate its meaning,” she
says. “There must be a larger truth. We shouldn’t write until
we can contextualize our small stories into that larger truth.”
At 44, Hall graduated from Bowdoin College, and wrote her first essay, “Killing
Chickens,” in 2002. She later earned a master’s in writing
from UNH. Her other honors include a Pushcart Prize and notable essay recognition
in Best American Essays; she was also a finalist for the Rona Jaffe Award.
Hall’s work has appeared in the New York Times, Creative Nonfiction,
The Southern Review, Five Points, Prairie Schooner, and several anthologies.
Hall will be Liane Hansen’s guest on NPR’s Weekend Edition
on Mother’s Day, Sunday, May 13. She will teach a graduate-level
memoir-writing course this fall, and is working on a novel and a collection
of short stories. More about Hall is available at http://meredithhall.org/.